12 August 2017

She played her part...

“From the moment I read [it], I was fascinated by the lovely wayward, tempestuous Scarlett, “I felt that I loved and understood her, almost as though I had known her in the flesh. When I heard that the book was to filmed in Hollywood early in 1939, I longed to play the part.” ~VL

 The Vivien Leigh Collection is a lot of 250 pieces of fine art, memorabilia, personal photos and clothing belonging to the consummate actor being sold at Sotheby’s in London September 26, 2017.  

"Life’s pattern pricked with a scarlet thread / where once we were with a gray / 
To remind us all how we played our parts / In the shock of an epic day” 
~ Margaret Mitchell's inscription to Vivien Leigh inside  her leather bound copy of GWTW

Among the collection, is Leigh’s personal copy of Gone With The Wind, presented to her by the author  ( auction estimate $6,548 to $9,166), and her leather bound copy of the script (seen above) given to her by the film’s cast (estimate approximately $3,274 to $4,583). Apparently, Leigh kept a copy of the novel with her on set in order to assure the script remained true to Mitchell's words.

read more at Sotheby's here

03 August 2017

The Gardens of Peter Marino

Over the span of 20 years Peter Marino, the black leather-clad architect, has created a garden at his Southampton home only he could create. He recounts in the book's introduction a friend's reaction to the garden, 'This could only be the garden of an architect- and an American one at that.'
& As I say- only Marino.

An 18th-century sculpture of Diana guards The Great Lawn–an all green space, standing in a reflecting pool. Beyond the pool, The Forest. 
Jason Schmidt photographer

Marino's work for DIOR retail stores across the world is proof of his genius- an undefinable sparse elegance and, historical modernity.
It's a tightrope that only masters can balance.
His expansive gardens are of equal importance in his work, and The Garden of Peter Marino, an oversize book, indicates that.

Le Minotaure, an almost 7 foot bronze by Francois-Xavier Lalanne stands at the head of the lotus filled frog fountain in The Rose Garden. 176 Flower Power roses surround the pool.
Jason Schmidt

The garden's structure is logical-a guiding principle any good architect adheres to. Marino's "'rooms,' squares and rectangles, with everything organized on a single axis," hold Marino's remarkable fantasy garden & fantasy is what animates the grand garden.

The Rose Garden
Jason Schmidt

Along with the surprising abandon of the plantings within each "garden room," striking blocks of color play a prominent role-purples, reds, pinks, and yellows.  Four of the 'rooms' are planted by color. and three gardens by species-hydrangea, rose, and azalea.  In addition, there is a great lawn, a forest, an allee, and an orchard.

a close-up of a lemon tree in Marino's Orchard- his own Garden of Eden
Jason Schmidt photographer

Vache Attentive-the attentive cow, a Lalanne sculpture, grazes in The Red Garden
Extending from the kitchen door, the garden is planted with herbs, monarda, Astilbe, lobelia, verbena, hibiscus, poppy, rose, and Dahlia- all in red. 

The triumph of the Marino twelve acre garden is the architect's inclusion of forty-two Claude and Francois-Xavier Lalanne sculptures. Claude Lalanne writes the book's  foreword, brief, its sincerity and genuine appreciation of Peter Marino is obvious. "He was our fairy godfather." Known as "Les Lalannes," the couple created their Surrealist sculptures drawn from the natural world to be a part of daily life.  Married for forty-one years, the couple inspired each other's work, with Francois-Xavier sculpting animals and Claude the botanical. Their collaboration was in fact, a meeting of the minds, with the pair united in their love for the surreal, context in their work, and whimsicality.

Grand Oiseau de Nuit in bronze by Francois-Xavier Lalanne
Jason Schmidt

In a hot and humid summer down South, the sui generis garden of Peter Marino is timely and enticing. At the garden's gate, Francois-Xavier's Grand Wapiti, eight-foot long elk is an augury of the magic that lies within.

The book's cover by Jason Schmidt features The Hydrangea Garden with Claude Lalanne's Banbiloba settee in gilt bronze providing beauty and a respite from The Garden of Peter Marino.

By Peter Marino
Principal Photography by Jason Schmidt and Manolo Yilera
available at Rizzoli here

20 July 2017

kaftan summer: OLIVIA JOFFREY

the people you will meet, right where you are.

such wonderful friends and fellow travelers in the world of design, decoration, & fashion, I've encountered right here on this page.

while I don't consider myself fashionable, the world of fashion intrigues me and always has.
its fast paced clip from one season to another never ceases to amuse & amaze me.
how do you keep up? I don't try.
my summer wardrobe is made up of kaftans. a few vintage, many from J.Peterman, several from Irving and Fine, and now I've added a go to kaftan from OLIVIA JOFFREY. I first knew Olivia as the blogger Vigilante Living–
& now:

Her eponymous collection is both a love letter to 1970s Santa Cruz, her bohemian hometown and her mother -- a former stage actress whose expatriate years in mid-century Spain flavored her personal style. - from her website here.

In addition to Olivia's great kaftans her website is a trip. It's like no other in terms of the eclectic artistic presentation of her creative life and her mother's influence on it.

I have her Carmel Cabana Dress in Midnight Dot. The fabric is one of my all time favorites- a soft cotton dotted swiss in black. The dress is practically Lined in another soft black cotton-which I appreciate. It solves the problem of the dreaded "see thru." I've worn the dress to 2 events for my book already and it will pack when I go to California this fall. 

I wore the dress untied, with these great pink beaded silk tassels on my gold hoops. Olivia sent these with the kaftan and I love them. They just slide over the hoops. Along with the earrings, I'm wearing an Anndra Neen necklace.

08 July 2017

INSPIRED COLOR & PATTERN: Schuyler Samperton

I love color, that's no surprise. I love saturated color, that's no surprise.
So it's no surprise I love Schuyler Samperton's new fabric collection.

Taken from old Indian textile documents that Schuyler studied, her fabrics are joyful, dynamic and of the moment. Other inspirations were her mother's scarves-a fashion signature she was known for in Washington D.C where Schuyler grew up. She named one of her patterns-Overlea after the street she grew up on and the pattern's design is taken from one of her mother's scarves. Her father was a noted architect in the city and wore printed pocket squares that also inspired the collection.

Tricky & Schuyler
Chair cushions in Cordoba/Clair and walls in Nellcote/Montego 

I met Schuyler through her dog Tricky-who has made a name for himself as an Instagram star.
Tricky is featured often and can be seen romping around & touting his mistress's fabrics.
Smart Dog.

Tricky resting on his Nellcote/Wisteria dog bed, below- Nellicote/Montego, & Sky

I'm showing my favorite patterns and colors, but there are additional colorways on her website, here.

                                                     Cordoba/Clair &  Overlea/Marine                                                

Another favorite pattern and color Caledonia/Imperial, below Firefly/Deep End


                                                       Pendleton/Jolie &  Firefly/Rose Bud                                                     


               Doshi/Lake & Pendleton/Academy

Tricky on a settee in Caledonia/Peony & Doshi/Hibiscus

            Doshi/Aubergine & Pendleton/Black Currant

SCHUYLER SAMPERTON, the website here


Related Posts with Thumbnails